Rewrapping with EditReady makes Compressor super, super happy.ĮditReady’s rewrap affected the FCP X date at first, but turns out it was because there were conflicting dates inside the container’s metadata!ĮditReady’s Metadata window calls this to your attention and allows you to select and/or set which date you would like.Īs you can see the original file does not have any timecode. It could have been a bad SD card or something during the original shoot.ĮditReady’s algorithms can correct this, so it’s really the most versatile program out there. EditReady is a little better about moving past those segments. You hit one bad segment and it just gives up. When I had written regarding the ghost render, Colin at Divergent Media explained:Ĭompressor isn’t good at recovering from bad frames, so that’s the mostly likely problem. Divergent Media makes excellent products and their customer service is bar none. EditReady Lives up to Its NameĮditReady is a champion at rewrapping footage. The file was then transcoded with Compressor to check its integrity. They however, did not have timecode.Īfter timecode was added to the MOV container, the file was opened with QuickTime Player 7 and Compressor 4 to verify timecode. The following tests were performed using AVCHD files already in MOV format as imported on a MBP with Photos.
Read on for the details and why others didn’t cut it (no pun intended). Short answer: EditReady is the most robust rewrapper out there, and can even be scripted from the command line.
#Simplemoviex 64bit mp4#
Unlike MP4, MOV supports timecode tracks full out, and rewrapping from MP4 to MOV can be done in a number of ways! But which are robust and which go bust? MOV containers are like the Swiss army knife of containers.
#Simplemoviex 64bit software#
Although Apple supports timecode in MP4 containers since 2013, other software may exhibit side-effects reading timecode-rich MP4s if they do not expect it. MP4 containers don’t traditionally support timecode which may help to explain why the recent trend in dropping timecode. Prosumer cameras really benefit from the compression because then 4 hrs of 4K can still fit on a 128 GB SD card. H.264 is a compressed video format originally intended for delivery, not editing, but its role has slowly evolved.
Prosumer camera codecs like AVCHD and XAVC-S write H.264 video in MP4 containers.
Timecode tracks can save mountains of time when editing multicamera shots, relinking media files, trimming clips precisely and so on-which, ostensibly, most home video footage won’t call upon. It’s one of the chief drawbacks that knocks the otherwise brilliant Sony AX100 from solid professional use. Newer, prosumer codecs these days like Sony XAVC-S don’t seem to record video with timecode.
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